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John
Card
John
Card was born and raised in the Big Sky Country of Montana. At an early
age he expressed an interest and a desire for drawing. He continued to pursue
this creative endeavor as a hobby when he moved to California Central Coast and
began my career as a land surveyor. Now, retired, John is able to spend a lot
more time creating art. |
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Pam
Ferris
For
Pam talent is just part of what it takes to be an artist, desire is just as important.
Of course there’s education, discipline, vision, and talent but without desire
your art work will soon fall by the side while you let other things in life get
in the way of producing art. |
 | Debbe
Hildinger
My work utilizes an intuitive approach that may incorporate memories from my childhood,
certain times or places in my past, close acquaintances, and the landscapes that
I capture with my camera as I travel through California. The finished pieces are
all personal portraits of how I perceive the world around me. |
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Thomas
Mahin
A new painting by Thom Mahin is now offered by the Central Coast Gallery. Mr. Mahin's painting has been executed
using a multiple glazing technique.
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 | Patrick
Raymond
The
combination of color, line and design in Richard Raymond's paintngs creates a
presence in each one that demands the viewer stop awhile and gaze upon them. |
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Jean Rittenberg
Jean Rittenberg was born in Boulder City, Nevada. At an early age she was surrounded by artists, which greatly influenced her, including her very talented mother, Donna Friedmann. The family moved to California when she was young. |
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Suzanne Rynders
Suzanne grew up in England surrounded by all the wonderful European art. She went to medical school and art school in London, and moved to the States in 1971. She called many States her home, and every where she went, she put her work as a pediatrician first, and her art second. That is about to change. |
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Jill
Targer
In
her silk paintings, Jill draws freehand, using gutta resist to form barriers for
her special dyes. Silk is very responsive to water and color, producing intense
effects and staining which is controlled in part by the gutta, seen as white outlines.
In Jill’s hands, this technic results in the fresh and lighthearted designs
that have become her trademark |
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| Fred
Ventura
Fred enjoys creating acrylic paintings on large canvases. He often begins by airbrushing
a gradated background and then in the foreground of many of his paintings he will
use brushwork to create detailed portrayals of vibrantly colored natural subjects. |
